Home page
My risograph prints are developed through a process that balances control and unpredictability. Working with a limited color palette, each image is separated into layers and printed individually, allowing slight misalignments, ink variations, and mechanical inconsistencies to emerge naturally. Rather than correcting these imperfections, I treat them as an essential part of the image-making process.
The riso process introduces a material quality that feels closer to drawing than to digital reproduction. The grain, texture, and uneven ink distribution create a sense of depth and atmosphere, making the images feel unstable and alive. This instability becomes important to the work itself, as it echoes my interest in ambiguity, perception, and shifting emotional states.